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pretty woman film completo ita

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1990 romantic one-act film past Garry Marshall

Pretty Woman
A man in a smart black suit stands back to back with a woman wearing a black short skirt and black thigh-high boots.

Theatrical release affiche
Directed by Garry Marshall
Written by J. F. Lawton
Produced by
  • Arnon Milchan
  • Steven Reuther
  • Gary Due west. Goldstein
Starring
  • Julia Roberts
  • Richard Gere
  • Ralph Bellamy
  • Jason Alexander
  • Héctor Elizondo
  • Laura San Giacomo
  • Alex Hyde-White
Cinematography Charles Minsky
Edited by
  • Raja Gosnell
  • Priscilla Nedd
Music by James Newton Howard

Product
companies
  • Touchstone Pictures
  • Silver Screen Partners Iv
  • Regency International Pictures (uncredited)
Distributed by Buena Vista Pictures Distribution

Release date
  • March 23, 1990 (1990-03-23) (Us)

Running fourth dimension

 119 minutes
Land U.s.a.
Language English
Budget $fourteen one thousand thousand
Box part $463.4 meg

Pretty Woman is a 1990 American romantic comedy pic directed by Garry Marshall, from a screenplay by J. F. Lawton. The film stars Julia Roberts and Richard Gere, and features Héctor Elizondo, Ralph Bellamy (in his final performance), Laura San Giacomo, and Jason Alexander in supporting roles.[i] The picture'due south story centers on Hollywood prostitute Vivian Ward and wealthy businessman Edward Lewis. Vivian is hired to be Edward's escort for several concern and social functions, and their human relationship develops during her week-long stay with him. The film's championship Pretty Adult female is based on the 1964 song "Oh, Pretty Woman" by Roy Orbison. The original screenplay was titled "iii,000", and was written by then-struggling screenwriter J. F. Lawton. It is the first film on-screen collaboration between Gere and Roberts; their 2d film, Runaway Helpmate, was released in 1999.

Originally intended to be a dark cautionary tale about class and prostitution in Los Angeles, the film was re-conceived as a romantic comedy with a large budget. The film received positive reviews, and Roberts received a Gilded Earth Honor for Best Actress in a Motion Moving-picture show – Musical or Comedy and a nomination for the Academy Honour for Best Actress for her performance, which catapulted her to superstardom. In improver, screenwriter J. F. Lawton was nominated for a Writers Guild Award and a BAFTA Accolade. The picture saw the highest number of ticket sales in the United states ever for a romantic comedy,[ii] with Box Office Mojo list it every bit the number-one romantic comedy past the highest estimated domestic tickets sold at 42,176,400, slightly ahead of My Big Fatty Greek Wedding (2002) at 41,419,500 tickets.[3] The film grossed U.s.a.$463.4 million worldwide and at the time of its release, was the fourth-highest-grossing picture of all time worldwide, behind only E.T. the Actress-Terrestrial ($619 million at the time), Star Wars ($530 meg at the time) and Indiana Jones and the Terminal Crusade ($474 million at the time).

Plot [edit]

Edward Lewis, a powerful corporate raider hailing from New York, acquires and dismantles struggling companies, selling their avails for profit. He invites his girlfriend, Jessica, to bring together him on a business trip, only she grows weary of being at his constant beck and call and decides to end their relationship. Ane night, while leaving a concern political party in the Hollywood Hills, Edward takes his lawyer's Lotus Camaraderie sports motorcar and unintentionally finds himself in the metropolis's ruby-light commune on Hollywood Boulevard. It is here where he meets Vivian Ward, a prostitute. Struggling to operate the manual transmission car, Edward pays Vivian to drive him to the Regent Beverly Wilshire Hotel. Impulsively, Edward hires Vivian for the dark and, despite initial clumsiness, finds her mannerly and ultimately has sex activity with her.

The following day, Edward asks Vivian to pose every bit his girlfriend during a week-long serial of business organisation events he must attend while attempting a takeover of James Morse's shipbuilding company. Edward offers Vivian $3,000 and a new wardrobe for vi days. Excitedly, Vivian accepts the offering. All the same, when she tries to store on Rodeo Drive, she is turned away by a snobbish and rude saleswoman. She turns to Barney, the hotel'southward manager, for aid. He teaches her proper etiquette and helps her purchase a cocktail apparel for an important business organisation dinner that evening. During the dinner, Edward introduces Vivian to James and his grandson, David. The latter is existence clean-cut to take over the company later on his grandfather passes away. The business meeting does not become well, and James and David are unimpressed by Edward's intentions to purchase and sell their company. Edward takes discover of Vivian'southward transformation and becomes more open with her. He reveals details nigh his personal and business life, including his estranged relationship with his late male parent, Carter, at the time of his decease.

When Edward's attorney, Phillip, suspects that Vivian is a corporate spy afterward seeing her talking to David at a polo game, Edward reveals the true nature of their relationship. However, Phillip later crudely propositions Vivian for her services later on Edward is finished with her. Vivian feels hurt and angry that Edward exposed her in that style. Edward apologizes, admitting that he was jealous of Vivian talking to David and acknowledging that her straightforward personality is having a positive upshot on him. Edward takes Vivian past private jet to see La traviata at the San Francisco Opera, a story about a prostitute who falls in dear with a wealthy homo. The story moves Vivian, and she breaks her "no kissing" dominion earlier having sex with Edward. After believing Edward has fallen asleep, Vivian confesses her beloved for him.

Equally Edward's return to New York draws near, he offers to help Vivian get off the streets by suggesting that he put her up in a nice condo and provide her with an allowance. He promises to visit her regularly. Nevertheless, Vivian is offended by the offer, feeling that Edward is nevertheless treating her similar a prostitute. She recalls a childhood fantasy of existence rescued from her calumniating home by a knight on a white steed. Edward meets with James, but having been inverse by his feel with Vivian, he chooses to work with him to save his visitor instead of dismantling information technology. Meanwhile, Phillip is furious that Edward's new direction has toll him a fortune, so he goes to the hotel to confront him. Nevertheless, he only finds Vivian there. Blaming her for Edward's changing character and angry at his business organization determination, he attempts to rape her. When Edward arrives, he punches Phillip and fires him for his beliefs.

Afterward completing his business in Los Angeles, Edward asks Vivian to stay with him for one more night. Notwithstanding, he makes information technology clear that she should but exercise and then if she wants to, not because he is paying her. Vivian gently refuses and leaves. This rejection prompts Edward to re-evaluate his life, and while being driven to the airport, he asks the chauffeur to detour to Vivian's apartment building. He climbs out of the white limousine's sunroof and ascends the burn down escape to rescue Vivian, merely like the knight in her childhood fantasy.

Cast [edit]

  • Julia Roberts as Vivian Ward, a complimentary-spirited Hollywood prostitute
  • Richard Gere as Edward Lewis, a rich corporate raider from New York who hires Vivian to be his escort for a week
  • Ralph Bellamy as James Morse, owner of Morse Industries, a troubled shipbuilding visitor Edward plans to accept over
  • Jason Alexander every bit Phillip Stuckey, Edward's insensitive lawyer
  • Héctor Elizondo equally Barnard "Barney" Thompson, the dignified and soft-hearted hotel manager
  • Laura San Giacomo as Kit De Luca, Vivian'southward sarcastic wisecracking best friend and roommate who taught her the prostitution trade
  • Alex Hyde-White equally David Morse, James Morse's grandson, who is being groomed to accept over the Morse'south shipbuilding company
  • Amy Yasbeck as Elizabeth Stuckey, Phillip'south married woman
  • Elinor Donahue every bit Bridget, a friend of Barney Thompson who works in a women's wear store
  • John David Carson as Mark Roth, a man of affairs in Edward'south role
  • Judith Baldwin equally Susan, one of Edward's ex-girlfriends whom he runs into at Phil's party at the start of the movie. She has recently married and Edward's secretary was a bridesmaid.
  • Patrick Richwood as Night Elevator Operator Dennis
  • James Patrick Stuart every bit Dennis, the solar day bellhop
  • Dey Young as a snobbish saleswoman in a clothing store
  • Larry Miller every bit Mr. Hollister, the managing director of a article of clothing store where Vivian buys her new wardrobe
  • Hank Azaria equally a detective

Production [edit]

Evolution [edit]

The moving-picture show was initially conceived as a nighttime drama about prostitution in Los Angeles in the 1980s.[4] The relationship betwixt Vivian and Edward likewise originally involved controversial themes, including Vivian being addicted to drugs; part of the bargain was that she had to stay off cocaine for a week. Edward eventually throws her out of his car and drives off. The original script past J.F.Lawton, called 3000,[5] concluded with Vivian and her prostitute friend on the bus to Disneyland.[iv] Producer Laura Ziskin considered these elements detrimental to a sympathetic portrayal of Vivian, and they were removed or assigned to Kit. The deleted scenes have been found, and some were included on the DVD released for the film'due south 15th anniversary.[four] In one, Vivian tells Edward, "I could just pop ya skilful and be on my way", indicating her lack of interest in "pillow talk". In another, she is confronted by a drug dealer, Carlos, and then rescued by Edward when the limo driver Darryl gets his gun out.

Though inspired by such films as Wall Street and The Concluding Detail,[5] the motion-picture show bears a resemblance to Pygmalion myths: peculiarly George Bernard Shaw'due south play of the same proper noun, which also formed the basis for the Broadway musical My Fair Lady. It was Walt Disney Studios then-president Jeffrey Katzenberg who insisted the film be re-written equally a modernistic-twenty-four hour period fairy tale and beloved story, equally opposed to the original dark drama. It was pitched to Touchstone Pictures and re-written as a romantic comedy.[half dozen] The title 3000 was inverse because Disney executives thought it sounded like a title for a science fiction moving picture.[seven]

Casting [edit]

The casting of the film was a rather lengthy process. Marshall had initially considered Christopher Reeve, Daniel Day-Lewis, Kevin Kline, and Denzel Washington for the office of Edward, and Albert Brooks,[8] Sylvester Stallone, Al Pacino and Burt Reynolds turned it downward.[9] [10] Pacino went every bit far as doing a casting reading with Roberts before rejecting the part.[eleven] Sam Neill, Tom Conti and Charles Grodin tested for the part along with Roberts.[1] Christopher Lambert was also considered for the role. Gere initially refused just when he met with Roberts, she persuaded him and he somewhen agreed to play Lewis.[12] He reportedly started off much more active in his role; simply Garry Marshall took him bated and said "No, no, no, Richard. In this movie, 1 of you moves and one of yous does not. Guess which 1 you are?"[thirteen] Julia Roberts was not the first choice for the role of Vivian, and was not wanted by Disney. Many other actresses were considered. Marshall originally envisioned Karen Allen for the part; when she declined, auditions went to many better-known actresses of the time including Molly Ringwald,[fourteen] who turned it down.[xv] Winona Ryder auditioned, merely was turned down considering Marshall felt she was "too immature".[x] Jennifer Connelly was also dismissed for the aforementioned reason.[four] Emily Lloyd turned it down as it conflicted with her shooting for the film Mermaids.[16] Drew Barrymore, Brooke Shields, Uma Thurman, and Kristin Davis auditioned for the role of Vivian.[17]

One thousand thousand Ryan, who was a top choice of Marshall's, turned information technology down as well. According to a annotation written by Marshall, Mary Steenburgen was besides amongst the showtime choices. Diane Lane came very close to beingness cast (the script was much darker at the time); they had gone as far as costume fittings, simply due to scheduling conflicts she could not accept. Michelle Pfeiffer turned the role downwards, saying she did not like the script's "tone."[18] Daryl Hannah was also considered but believed the part was "degrading to women".[18] Valeria Golino was in consideration, but was non selected because of her thick Italian accent,[19] and Jennifer Jason Leigh had auditioned.[20] Lea Thompson unsuccessfully auditioned for the role as she thought the film was a drama.[21] When all the other actresses turned downwardly the role, 21-year-sometime Julia Roberts, a relative unknown, with but the sleeper hit Mystic Pizza (1988) and the yethoped-for-released Steel Magnolias (1989), for which she would be nominated for the Academy Award for All-time Supporting Actress, won the role of Vivian. Her performance made her a star. J.F.Lawton, writer of the original screenplay, has suggested that the film was ultimately given a happy ending because of the chemistry of Gere and Roberts.[v]

Veteran actor Ralph Bellamy, who plays James Morse, appears in his concluding interim performance before his death in 1991. Jason Alexander, who had also recently been cast for his role every bit the bumbling George Costanza in Seinfeld, was cast equally Philip Stuckey. A VHS re-create of Pretty Woman would announced in Seinfeld's apartment in later seasons of Seinfeld as a homage to Alexander's participation in the film.

Filming [edit]

The picture show'southward budget was substantial, at $14 one thousand thousand, so producers could shoot in many locations.[4] About filming took identify in Los Angeles, California, specifically in Beverly Hills, and within soundstages at Walt Disney Studios in Burbank. The escargot restaurant the "Voltaire" was shot at the eating house "Rex," now called "Cicada". Scenes set in the Beverly Wilshire Hotel lobby were shot at the Ambassador Hotel in Los Angeles. Filming commenced on July 24, 1989, but was immediately plagued by problems. These included Ferrari and Porsche declining the production placement opportunity for the car Edward drove, neither business firm wishing to exist associated with prostitutes.[4] Lotus Cars saw the placement value and supplied a Silver 1989+ 1⁄2 Camaraderie SE (which was afterward sold).[22]

The shooting was a generally pleasant, easy-going experience, as the budget was broad and the shooting schedule was not tight.[4] While shooting the scene where Vivian is lying down on the flooring of Edward's penthouse, watching reruns of I Love Lucy, Garry Marshall had to tickle Roberts' feet (out of camera range) to become her to express joy.[23] The scene in which Gere playfully snaps the lid of a jewelry case on her fingers was improvised, and her surprised laugh was genuine. The red dress Vivian wears to the opera has been listed among the virtually unforgettable dresses of all time.[24]

During the scene in which Roberts sang a Prince vocal in the bathtub, slid down, and submerged her head under the bubbling; she emerged to notice the crew had left except for the cameraman, who captured the moment on moving picture. In the love scene, she was so stressed that a vein became noticeable on her brow and had to be massaged by Marshall and Gere. She also developed a case of hives, and calamine lotion was used to soothe her skin until filming resumed.[four] The filming was completed on November 30.[25]

Shelley Michelle acted as torso double for Roberts in risqué scenes and the moving-picture show's publicity poster.[26]

Reception [edit]

Box office [edit]

In its opening weekend, the flick was at number i at the U.s.a. box office, grossing $xi,280,591 and averaging $8,513 per theater.[27] Despite dropping to number ii in its 2nd weekend, it grossed more with $12,471,670.[27] Information technology returned to number 1 at the US box office in its 6th weekend and was number one for 3 weeks. It was in the Top 10 movies in the The states for 16 weeks.[27] In Australia, it was number i for 12 weeks and was number ane for ix sequent weeks in the UK. As of September 29, 2009[update], it has grossed $178,406,268 in the United States and $285,000,000 in other countries for a total worldwide gross of US$463,406,268.[iii] It was the quaternary highest-grossing film of the year in the U.s.a. and Canada[28] and the 3rd highest-grossing worldwide.[29] The film was Disney's highest-grossing moving picture ever, surpassing Three Men and a Babe, and remains Disney's highest-grossing R-rated release.[xxx] [31] [32]

Critical response [edit]

On review aggregator Rotten Tomatoes the moving picture holds an approval rating of 65% based on 75 reviews, with an average rating of vi.10/ten. The website'southward critical consensus states, "Pretty Woman may be a yuppie fantasy, but the pic's slick comedy, soundtrack, and casting can overcome misgivings."[33] On Metacritic, the film has a weighted average score of 51 out of 100, based on 18 critics, indicating "mixed or average reviews".[34] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[35]

Owen Gleiberman of Entertainment Weekly gave the flick a "D", saying information technology "starts out as a neo-Pygmalion comedy" and with "its tough-hooker heroine, information technology can work as a feminist version of an upscale princess fantasy." Gleiberman also said it "pretends to be nearly how love transcends money," but "is actually obsessed with status symbols."[36] On its twentieth anniversary, Gleiberman wrote some other article, proverb that while he felt he was correct, he would take given it a "B" today.[37] Carina Chocano of The New York Times said the movie "wasn't a dear story, it was a money story. Its logic depended on a disconnect between character and narrative, between image and meaning, between money and value, and that made information technology not cluelessly traditional but thoroughly postmodern."[38]

Accolades [edit]

Award Category Nominee(s) Outcome
Academy Awards[39] All-time Actress Julia Roberts Nominated
BMI Picture & TV Awards Film Music Accolade James Newton Howard Won
Most Performed Song from a Movie "Information technology Must Have Been Beloved" – Per Gessle Won
British Academy Moving picture Awards[forty] Best Movie Arnon Milchan, Steven Reuther and Garry Marshall Nominated
Best Actress in a Leading Role Julia Roberts Nominated
Best Screenplay – Original J. F. Lawton Nominated
Best Costume Blueprint Marilyn Vance Nominated
César Awards Best Foreign Film Garry Marshall Nominated
David di Donatello Awards Best Foreign Actress Julia Roberts Nominated
Gilt Globe Awards[41] All-time Motion Picture – Musical or One-act Nominated
Best Actress in a Flick – Musical or One-act Julia Roberts Won
All-time Role player in a Motion Picture show – Musical or Comedy Richard Gere Nominated
Best Supporting Actor – Motility Picture Hector Elizondo Nominated
Golden Screen Awards Won
Jupiter Awards All-time International Extra Julia Roberts Won
Kids' Choice Awards Favorite Film Extra Won
People's Choice Awards Favorite Comedy Motility Picture Won
Writers Guild of America Awards[42] All-time Screenplay – Written Straight for the Screen J. F. Lawton Nominated

American Motion-picture show Plant [edit]

  • AFI'due south 100 Years... 100 Passions – #21[43]

Music [edit]

The soundtrack features the songs (among others);

  • "Oh, Pretty Woman" by Roy Orbison, which inspired its championship
  • Roxette's "It Must Have Been Beloved", originally released in Dec 1987, reached No. 1 on the Billboard Hot 100 in June 1990. The soundtrack also features
  • "Rex of Wishful Thinking" by Go W
  • "Show Me Your Soul" by Blood-red Hot Chili Peppers
  • "No Caption" by Peter Cetera
  • "Wild Women Practise" by Natalie Cole and
  • "Fallen" by Lauren Wood

The soundtrack has been certified triple platinum by the Recording Industry Association of America (RIAA).[44]

The opera featured in the film is La Traviata, which also served every bit inspiration for its plot. The highly dramatic aria fragment that is repeated is the finish of "Dammi tu forza!" ("Give me strength!"), from the opera. Roberts sings the song "Buss" by Prince while she is in the tub and Gere's character is on the phone. Background music is composed by James Newton Howard. The piano slice Gere's character plays in the hotel lobby was composed and performed by Gere. Entitled "He Sleeps/Love Theme", this pianoforte limerick is inspired by Bruce Springsteen's "Racing in the Street".

Musical accommodation [edit]

A stage musical accommodation of the film opened on Broadway on July 20, 2018, in previews, officially on August xvi at the Nederlander Theatre.[45] This follows an out-of-boondocks tryout at the Oriental Theatre in Chicago, which will run from March xiii to Apr fifteen, 2018. The musical has music and lyrics past Bryan Adams and Jim Vallance; the late Garry Marshall and J.F.Lawton wrote the book; and Jerry Mitchell is the manager and choreographer.[46] The Chicago and Broadway cast featured Samantha Barks, in her Broadway debut as Vivian and Steve Kazee as Edward. Barks finished her run as Vivian on July 21, 2019, and was replaced by Jillian Mueller the following evening, with Brennin Hunt, of Hire fame, assuming the office of Edward.[46] Orfeh portrayed Kit, and Jason Danieley played Philip Stuckey. Eric Anderson portrayed the part of Mr. Thompson and Kingsley Leggs played the role of James Morse.[45]

References [edit]

  1. ^ a b "Pretty Woman". Turner Classic Movies. Archived from the original on August 16, 2016. Retrieved June 17, 2016.
  2. ^ Prince, Rosa (March 21, 2012). "Richard Gere: Pretty Woman a 'Featherbrained Romantic Comedy'". The Daily Telegraph. London. Archived from the original on Nov 9, 2014. Retrieved Apr iv, 2018.
  3. ^ a b "Pretty Woman (1990)". Box Office Mojo. Archived from the original on May ane, 2012. Retrieved September 29, 2009.
  4. ^ a b c d e f g h Pretty Woman: 15th anniversary (DVD). Buena Vista Home Entertainment, Touchstone. 2005.
  5. ^ a b c Erbland, Kate (March 23, 2015). "The True Story of Pretty Woman'southward Original Dark Ending". Vanity Fair. Archived from the original on Jan 28, 2018.
  6. ^ Lewis, Hilary (August 26, 2016). "viii Movies With Major Title Changes". The Hollywood Reporter. Archived from the original on August 31, 2016. Retrieved August 27, 2016.
  7. ^ Stewart, James B. (2005). DisneyWar. New York: Simon & Schuster. p. 110. ISBN978-0-7432-6709-0.
  8. ^ "The Lost Roles of Albert Brooks". Vulture. June xxx, 2011. Archived from the original on July 4, 2021. Retrieved June 15, 2021.
  9. ^ Schaffstall, Katherine (March sixteen, 2018). "Burt Reynolds Reflects on the Roles He'south Turned Downward". The Hollywood Reporter . Retrieved April 13, 2023.
  10. ^ a b Reimann, Tom (April 25, 2019). "Surprising Behind-the-Scenes Facts well-nigh Pretty Woman". Collider. Archived from the original on January 2, 2023. Retrieved January ii, 2023.
  11. ^ Pacino, Al (June 15, 2007). ""Al Pacino Interview"". Larry King Alive (Interview). Interviewed past Larry King. CNN. Archived from the original on June 21, 2007. Retrieved June sixteen, 2007.
  12. ^ "'Pretty Woman' Bandage Reunites 25 Years Subsequently – TODAY". March 24, 2015. Archived from the original on November 16, 2017. Retrieved September ten, 2017 – via YouTube.
  13. ^ Tiffin, George (2015). A Star is Born: The Moment an Actress becomes an Icon. Head of Zeus. p. 493. ISBN978-1-78185-936-0.
  14. ^ Corcoran, Monica (June 28, 2008). "Molly Ringwald: Pretty in Pucci". Los Angeles Times. Archived from the original on March 8, 2009. Retrieved January 8, 2013.
  15. ^ Ringwald, Molly (April 26, 2012). "I am Molly Ringwald. AMA". Reddit . Retrieved April 13, 2023. I call back I saw an early on draft and it was called "$three,000". I don't specifically remember turning it down. The script was okay merely I gotta say, Julia Roberts is what makes that moving-picture show. It was her part. Every actor hopes for a part that lets them shine similar that.
  16. ^ Arnold, Ben (July 27, 2016). "Emily Lloyd: The Unluckiest Actress In Hollywood History?". Yahoo! Movies. Archived from the original on May 19, 2017. Retrieved December 16, 2018.
  17. ^ Burton, Lynsi (March 18, 2015). "'Pretty Woman': 25 years later". Seattle Post-Intelligencer. Archived from the original on September 5, 2021. Retrieved September 5, 2021.
  18. ^ a b "Darly Hannah Pleased to Refuse Pretty Woman". WENN. February 27, 2007. Archived from the original on Oct xiii, 2007. Retrieved Baronial 20, 2007 – via Contact Music.
  19. ^ Jang, Meena (May 16, 2016). "1989: When Valeria Golino Was Indie Royalty in Cannes". The Hollywood Reporter . Retrieved Apr 13, 2023. My accent was charming, but when it came to be between Julia Roberts and me, she was American.
  20. ^ Kachka, Boris (December 4, 2005). "Lonely Star: Jennifer Jason Leigh Plays an Extroverted Striver in Abigail'southward Party, Now, that's a stretch". New York Magazine: 2. Archived from the original on October xvi, 2012. Retrieved September 29, 2007.
  21. ^ "Lea Thompson's Disastrous "Pretty Woman" Audition - "Belatedly Nighttime with Conan O'Brien"". YouTube. Archived from the original on Dec 11, 2021.
  22. ^ "Lotus Espirit SE Pretty Woman Movie Car". Lotus Camaraderie Earth. Archived from the original on March 14, 2018. Retrieved March 22, 2018.
  23. ^ Peng, Chelsea (March 24, 2015). "16 Things Yous Never Knew About 'Pretty Woman'". Marie Claire. Archived from the original on August 3, 2020. Retrieved September three, 2020.
  24. ^ Henderson, Jessica (February 28, 2012). "The 20 Greatest Flick Dresses of All Time". Marie Claire. Archived from the original on April 14, 2016. Retrieved September 3, 2020.
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  26. ^ "Emilia Clarke suffered in vain: hither are 13 famous nude scenes that were actually performed past body doubles". The Telegraph. April eleven, 2017. Archived from the original on April 7, 2021. Retrieved March thirty, 2021.
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  28. ^ "1990 Yearly Box Function Results". Box Office Mojo. Archived from the original on December six, 2006. Retrieved September 29, 2009.
  29. ^ "1990 Yearly Box Office Results". Box Office Mojo. Archived from the original on April 26, 2009. Retrieved September 29, 2009.
  30. ^ Groves, Don (January 10, 1994). "Japan ends year with 'Cliffhanger'". Diversity. p. 24.
  31. ^ "'Pretty Adult female' now top Disney grosser". Diverseness. September 3, 1990. p. iv.
  32. ^ "Domestic Grosses by MPAA Rating". Archived from the original on Baronial 20, 2016. Retrieved July 4, 2016.
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  34. ^ "Pretty Adult female Reviews". Metacritic. Archived from the original on April 16, 2011. Retrieved September 29, 2009.
  35. ^ "Find CinemaScore" (Type "Pretty Woman" in the search box). CinemaScore. Archived from the original on January two, 2018. Retrieved March 25, 2019.
  36. ^ Gleiberman, Owen (March 23, 1990). "Pretty Woman". Amusement Weekly. Archived from the original on Apr 27, 2009. Retrieved September 29, 2009.
  37. ^ Gleiberman, Owen (March 24, 2010). "'Pretty Woman': 20 Years after My Most Infamous Review (Aye, I gave it a D), Hither'south My Mea Culpa—and Also My Defense". Entertainment Weekly. Archived from the original on September 22, 2012. Retrieved July fifteen, 2011.
  38. ^ Chocano, Carina (April eleven, 2011). "Thelma, Louise and All the Pretty Women". The New York Times. Archived from the original on Apr 1, 2017. Retrieved Feb 28, 2017.
  39. ^ "The 63rd University Awards (1991) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on October xx, 2014. Retrieved October 20, 2011.
  40. ^ "BAFTA Awards: Film in 1991". BAFTA. 1991. Archived from the original on January 3, 2020. Retrieved September sixteen, 2016.
  41. ^ "Pretty Woman – Golden Globes". HFPA. Archived from the original on August 2, 2021. Retrieved July 28, 2021.
  42. ^ "Awards Winners". wga.org. Writers Guild of America. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
  43. ^ "AFI's 100 Years…100 Passions". American Moving picture Plant . Retrieved April thirteen, 2023.
  44. ^ "American album certifications – Soundtrack – Pretty Woman". Recording Industry Association of America. May 1, 1991. Archived from the original on April eight, 2022. Retrieved April 8, 2022.
  45. ^ a b Clement, Olivia (Nov 21, 2017). "Pretty Woman Musical Finds Its Broadway Home, Sets Summer 2018 Opening". Playbill. Archived from the original on November 24, 2017.
  46. ^ a b McPhee, Ryan (October 6, 2017). "Jason Danieley Joins Broadway-Bound Pretty Adult female Musical". Playbill. Archived from the original on October 7, 2017.

External links [edit]

  • Pretty Woman at IMDb
  • Pretty Woman at AllMovie
  • Pretty Woman at the TCM Picture Database
  • Pretty Woman at the American Picture show Institute Catalog
  • Pretty Woman at Disney A to Z Edit this at Wikidata
  • Pretty Woman at Box Office Mojo

Source: https://en.wikipedia.org/wiki/Pretty_Woman

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